गाना / Title: जय जगदीश हरे - jaya jagadiisha hare

चित्रपट / Film: Anand Math

संगीतकार / Music Director: हेमंत कुमार-(Hemant Kumar)

गीतकार / Lyricist: Jayadeva

गायक / Singer(s): हेमंत कुमार-(Hemant Kumar)Geeta

Lyrics in English - ASCII
देवनागरी बोल :
          


  
 *   हरे मुरारे मधु कैटभ हारे
     गोपाल गोविन्द मुकुन्द शौरे
  
 *  प्रलय पयोधि जले, ध्रुतवन असि वेदम
     विहित वहित्र चरित्रम अखेदम
     केशव, ध^ऱ्त मिन शरिर, जय जगदिश हरे
  
 Now Geeta comes in with the last line of the shloka, which is used by
 Jaydev as the refrain, with only the name of the incarnation changing.
 She is constantly singing in the background, if Hemantda is reciting the
 shloka in the foreground. When he stops, she is in the foreground with
 her beautiful voice. Incredible!
 
   केशव, ध्रुत मिन शरिर, जय
   जगदिश हरे
  
 *  चलयसि विक्रमने, बलिम अद्भुत वमन
     पद नख निर जनित जन पवन
     केशव, ध^ऱ्त वमन रुप, जय जगदिश हरे
  
 *  वितरसि दिक्षु रने, दिक-पति कमनियम
     दश-मुख मोउलि बलिम रमनियम
     केशव, ध^ऱ्त रम शरिर, जय जगदिश हरे
  
 *  निन्दसि यज्न्य विदेर-अहह श्रुति जतम
     सदय ह्रुदय दर्शित पशु घतम
     केशव, ध^ऱ्त बुद्ध शरिर, जय जगदिश हरे
  
 *  म्लेच्च निवह निधने कलयसि करवलम
     धुमकेतुम इव किमपि करलम
     केशव, ध^ऱ्त कल्कि शरिर, जय जगदिश हरे
  
  
 At the end of the song, there is a great shloka (which is also usually
 song in
 the bhajan tradition) which is a succinct summary of the dasha-avatara
 (per
 Jaydev). Here is that shloka:
  
     वेदन उद्धरते, जगन-निवहते, भुगोलम उद-बिभ्रते
     दैत्यम दरयतेम बलिम चलयते, क्षत्र क्षयम कुर्वते
     पोउलस्यम जयते, हलम कलयते, करुन्यम अतन्वते
     म्लेच्चन मुर्चयते, दशक्रुति क्रुते, ख़्रुश्नय तुभ्यम नमः. 



        

Related content:

Lyrics in Unicode - Devanagari
Lyrics:
      
  
 *   hare muraare madhu kaiTabha haare
     gopaala govinda mukunda shaure
  
 *  pralaya payodhi jale, dhrutavan asi vedam
     vihita vahitra charitram akhedam
     keshava, dh^Rta mina sharira, jaya jagadisha hare
  
 ##Now Geeta comes in with the last line of the shloka, which is used by
 Jaydev as the refrain, with only the name of the incarnation changing.
 She is constantly singing in the background, if Hemantda is reciting the
 shloka in the foreground. When he stops, she is in the foreground with
 her beautiful voice. Incredible!##
 
   keshava, dhruta mina sharira, jaya
   jagadisha hare
  
 *  chalayasi vikramane, balim adbhuta vamana
     pada nakha nira janita jana pavana
     keshava, dh^Rta vamana rupa, jaya jagadisha hare
  
 *  vitarasi dikshu rane, dik-pati kamaniyam
     dasha-mukha mouli balim ramaniyam
     keshava, dh^Rta rama sharira, jaya jagadisha hare
  
 *  nindasi yajnya vider-ahaha shruti jatam
     sadaya hrudaya darshita pashu ghatam
     keshava, dh^Rta buddha sharira, jaya jagadisha hare
  
 *  mlechcha nivaha nidhane kalayasi karavalam
     dhumaketum iva kimapi karalam
     keshava, dh^Rta kalki sharira, jaya jagadisha hare
  
  
 ##At the end of the song, there is a great shloka (which is also usually
 song in
 the bhajan tradition) which is a succinct summary of the dasha-avatara
 (per
 Jaydev). Here is that shloka:##
  
     vedan uddharate, jagan-nivahate, bhugolam ud-bibhrate
     daityam darayatem balim chalayate, kshatra kshayam kurvate
     poulasyam jayate, halam kalayate, karunyam atanvate
     mlechchan murchayate, dashakruti krute, Krushnaya tubhyam namaH.